Photo of workshop participant (anonymous as requested), San Francisco 2014

Radical tenderness is a term that I first encountered while working as part of the performance collective La Pocha Nostra (2009-2016), where it was used in the context of the radical performance-pedagogy workshops we facilitated. The term resonated with me very intimately as I recognized in it a force that I had always felt but had not previously found language to name. I also felt how it resonated with many others within and beyond the collective, calling us into another form of engagement with political practices that involved hightening our sense of care for the many bodies we inhabit and are in relationship with. 

Radical Tenderness is an entity-force that moves, transforms and disseminates itself in many different ways. Throughout the years I have understood the political roots of the term radical tenderness to be in the transfeminist community of Mexico, so it is crucial that in its genealogy as a term and its activation as an embodied practice, we recognise and honour the importance of the transfeminist movement, and in particular also the work of the mexican trans activist and educator Lia La Novia Sirena. 

I have personally been in a profoundly transformative dance with Radical Tenderness for over a decade, attempting to listen to and integrate its teachings in my performance-pedagogy work, my artistic creations and my every day life. This process involves an embodied investigation of its intimate, political, and metabolic movements, which has included creating performances, workshops and writings that attempt to nurture radically tender ways of being.

Please refer to the different sections of my website for more info on some of these artistic and pedagogical (un/re)learnings. You may also be interested in accessing directly the following links:

You may also be interested in accessing directly the following links:

Co-sensing with Radical Tenderness (2020) is a text I began to write with Vanessa Andreotti in 2018, based on thoughts expressed by the collective Gesturing Towards Decolonial Futures [GTDF]. Initially called “An Invitation to Radical Tenderness”, this text has been shape-shifting alongside our artistic-pedagogic collaboration “Engaged Dis-identications”, which attempts to translate post-representational modes of engagement into embodied experiments that reconfigure the connections between reason, affect and relationality. The current version of the text has been revised in June 2020 and is available in two formats (printed booklet and online flickbook), both curated by Laura Daviña from Publication Studios São Paulo. Through the pedagogical-affective invitation of Radical Tenderness, the Gesturing Towards Decolonial Futures collective has been working to nurture more affective space for confronting the complexity of the problems we are implicated in. It invites us to move away from the prescriptive politics that are usually encouraged and rewarded within modernity/coloniality so that we might gradually disinvest from its false securities and self-centered desires to try to listen to what is beyond what we can understand—and even imagine—from where we stand.

The Series Art-Life Ritual Actions for Radical Tenderness, launched in 2020 with the support of the Musagetes Foundation explored ways to activate the offerings, invitations and provocations of Radical Tenderness as a sensed-experience in our daily lives. In the series, I asked different artists to help us mobilize “alternative ways of engaging with alternatives”, by creating performative rituals of metabolic reattunement based on the encounter between the text Co-sensing with Radical Tenderness and their own embodied poetics. 

Radical Tenderness Manifesto, was created through an online poetic jam I started in 2014 with Daniel B. Chavez (Currently Daniel B. Coleman). It was first published in Spanish in Hysteria Magazine (MX, 2015) and has since been translated into 8 languages and circulated in hundreds of independent publications. At the time of writing, Daniel and I were both part of the performance collective La Pocha Nostra, who first introduced me to this term and with whom I worked between 2009-2016. As part of my research on Radical Tenderness within the context of an MA I was undertaking in the independent study program PEI directed by Paul Preciado in MACBA (Barcelona, ES), as well as the transfeminist networks we were engaged with – particularly in Spain and Mexico – in this embodied poetic exercise of resistance we dived into this seemingly oxy-moronic term asking ourselves: ‘how can radical be tender – and tenderness be radical – in our alliances, our communities, and our interpersonal relationships?’

Radical Tenderness Workshops: Making use of the potential of performance/art as a field for the expansion of a visceral sense of intimacy (also known as relational responsibility) in these workshops I combine performance-pedagogy (performance practice as a pedagogical process of un/re-learning), radical tenderness (a mode of political-affective re-existence), transfeminism (intersectional and trans* inclusive feminism) and decoloniality (interrogating colonial legacies on our bodies, subjectivities and relationships) to explore ways in which we can create and nurture ways of being that face – and attempt to interrupt – different forms of violence inherent in our construction as modern subjects. Working from the body I explore our ability to perceive and relate through multiple senses and modes of knowing, inhabiting the contradictions, incoherences and vulnerabilities that arise in the process of daring to live through and beyond identity, working with tension and trust by increasing care in proportion to risk.