U TE(A)R US (Durational Performance, Brasil)
[ENGLISH, español abajo / português abaixo] On January 19th, 2017, I became a body without a womb. I birthed my uterus as an art-life action, making visible this complex social-physical […]
[ENGLISH, español abajo / português abaixo] On January 19th, 2017, I became a body without a womb. I birthed my uterus as an art-life action, making visible this complex social-physical […]
Tuesday 4th of October – Sunday 9th of October 2016 6 Days, 6 hours a day DRAWN festival, Folkestone UK I grew up in a democratic Brasil of the 80s/90s […]
Conecto mi cuerpo a lo de un círculo de arboles a mi vuelta. Cuando se mueve unx, nos movemos todxs. . Acción site-specific / Instalación Viva Festival Empremta, Cardedeu – […]
Péncame, péncame mucho (version #1.0) A performance by Dani d’Emilia & Brittany Chávez IX Encuentro – Hemispheric Institute of Performance and Politics Manifest: Choreographing Social Movements in the Americas Transnocheo, […]
(…)Pouco tempo depois, os corpos e a curiosidade aproximam-se da mezzanine para poderem assistir ao concerto de Martin Henneken e Raquel Reis, como previsto no programa. Com uma tela no […]
Performance de Dani d’Emilia e Andrea Inocêncio Feira do Livro Anarquista @Faculdade de Belas Artes (LX) 25 Maio 2012 Fotos: Angela Alegria . As embaixadoras da doença de São Vito […]
SEM ALTAR #1 Performance de Dani d’Emilia & Andrea Inocêncio Galeria Boavista, Lisboa Evento ‘Portas Abertas’, organizado por Seu Vicente e c.e.m 22 Abril 2012 . Fotos: Kátia Sá
Part of 1st Period of Performances at 17th Bienal de Cerveira, Portugal Curated by Orlando Britto Jinorio (ES) 22-24 July 2011 Performance by Dani d’Emilia Soundtrack by Mayron De Carvalho […]
About Seven started as a workshop based project initiated by Dagmara Bilon & Marta Angelozzi. It was performed twice as part of a group show in 2004 at Area 10, […]
Performance Installation, 2007 47 Bones is a work that seeks to pass between the unnecessary and the necessary, the perishable and the unperishable, the personal and the impersonal. As part […]